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The Nova Chronicles
by S.J. Bryant
Plasma pistols, busted ships, and space adventure.
Nova is an adventurer with a heart of steel. All she wants is a quiet life and enough money to keep her ship flying.
The universe has other plans.
Between ancient aliens bent on universal destruction, and a government bent on universal control, Nova can’t catch a break.
Grab your space racer and strap in – this is going to be one wild ride!
If you enjoy space-cowboys, misfit-crews, and adventure, then you’ll love The Nova Chronicles.
Get it now.
Fashion Illustration Next
by Laird Borrelli
by Djurdja Bartlett, Shaun Cole, Agnès Rocamora
Winner of the PCA/ACA Ray and Pat Browne Award for Best Edited Collection, Fashion Media includes chapters written by international scholars covering topics from historic magazine cultures and contemporary digital innovations to art and film, exploring themes such as gender, ethnicity, design, taste and authorship.
Highlighting the complexity of processes that bind design, design, technology, society and identity together, Fashion Media will be of be essential reading for students of fashion studies, cultural studies, visual culture studies, design history, communications and art and design practice and theory.
by Michael Regan
by Heike Jenss
Based on in-depth ethnographic research including participant observation and interviews with sixties enthusiasts in Germany, who relocate British mod style into the twenty-first century, Jenss examines the practices and experiences that are part of the sartorial remembering of “the sixties,” from hunting flea markets and eBay, to the affect of material and mediated memories on vintage wearers.
Jenss offers unique insights into the fashioning of time, cultural memory, and modernity, tracing the history and current appeal of vintage in fashion and youth culture, and asking: what kind of experiences of temporality and memory are enacted through fashion? How have evaluations of second-hand clothes shifted in the twentieth century? Fashioning Memory provides a unique insight into the diverse use of fashion as a memory mode and asks how style is remembered, performed, transformed, and reinvested across time, place, and generation.
by David Hillman, Harri Peccinotti
A reissue of a cult design book about Nova, the groundbreaking British magazine of the 60s and 70s, with a new introduction by David Hillman.
Nova 1965–1975 celebrates one of the most influential magazines in history. Known as ‘the thinking woman’s magazine’ Nova was a British publication that set itself apart from its contemporaries by creating a magazine that was not just about fashion but was also politically, socially and sexually aware. The magazine covered issues that were controversial at the time, such as abortion, gay rights and The Pill, and featured writers such as Susan Sontag, Harold Pinter, Elizabeth David, Prue Leith, William Trevor, Christopher Booker and Graham Greene.
The book is compiled by David Hillman and Harri Peccinotti, who worked as Deputy Editor and Art Director on the magazine respectively. The design and layout of the magazine were as groundbreaking as the content, and borrowed ideas from the psychedelic subculture and underground press of the day. Nova was one of the first magazines to include black models in their photoshoots, and regular photographers for the magazine included Helmut Newton, Guy Bourdin, Don McCullin, Bob Richards and Diane Arbus.
The book selects the best covers and articles from the magazine’s decade-long output and looks at them in detail, featuring many of the iconic magazine covers.
by Margaret Fortune
The clock activates so suddenly in my mind, my head involuntarily jerks a bit to the side. The fog vanishes, dissipated in an instant as though it never was. Memories come slotting into place, their edges sharp enough to leave furrows, and suddenly I know. I know exactly who I am.
My name is Lia Johansen, and I was named for a prisoner of war. She lived in the Tiersten Internment Colony for two years, and when they negotiated the return of the prisoners, I was given her memories and sent back in her place.
And I am a genetically engineered human bomb.
Lia Johansen was created for only one purpose: to slip onto the strategically placed New Sol Space Station and explode.
But her mission goes to hell when her clock malfunctions, freezing her countdown with just two minutes to go. With no Plan B, no memories of her past, and no identity besides a name stolen from a dead POW, Lia has no idea what to do next. Her life gets even more complicated when she meets Michael Sorenson, the real Lia’s childhood best friend.
Drawn to Michael and his family against her better judgment, Lia starts learning what it means to live and love, and to be human. It is only when her countdown clock begins sporadically losing time that she realizes even duds can still blow up.
If she wants any chance at a future, she must find a way to unlock the secrets of her past and stop her clock. But as Lia digs into her origins, she begins to suspect there’s far more to her mission and to this war, than meets the eye. With the fate of not just a space station but an entire empire hanging in the balance, Lia races to find the truth before her time—literally—runs out.