Phantom Of Manhattan

The Phantom of Manhattan
by Frederick Forsyth

The stunning continuation of the timeless classic The Phantom of the Opera.

In The Phantom of Manhattan, acclaimed, bestselling suspense novelist Frederick Forsyth pens a magnificent work of historical fiction, rife with the insights and sounds of turn-of-the-century New York City, while continuing the dramatic saga which began with Gaston Leroux’s brilliant novel The Phantom of the Opera

More than two decades have passed since Antoinette Giry, the mistress of the corps de ballet at the Paris Opera, rescued a hideously disfigured boy named Erik from a carnival and brought him to live in the labyrinthine cellars of the opera house. Soon thereafter, his intense, unrequited love for a beautiful chorus girl set in motion a tragic string of events, forcing him to flee Paris forever. Now, as she lies dying in a convent, Madam Giry tells the untold story of the Phantom and his clandestine journey to New York City to start anew, where he would become a wealthy entrepreneur and build the glorious Manhattan Opera House…all so he could see his beloved, now a famous diva, once again. But the outcome of her visit would prove even more devastating than before– and yet, would allow the Phantom to know, for the first time in his brutal life, the true meaning of love…


The Phantom of Manhattan
by Frederick Forsyth

The stunning continuation of the timeless classic The Phantom of the Opera.

In The Phantom of Manhattan, acclaimed, bestselling suspense novelist Frederick Forsyth pens a magnificent work of historical fiction, rife with the insights and sounds of turn-of-the-century New York City, while continuing the dramatic saga which began with Gaston Leroux’s brilliant novel The Phantom of the Opera

More than two decades have passed since Antoinette Giry, the mistress of the corps de ballet at the Paris Opera, rescued a hideously disfigured boy named Erik from a carnival and brought him to live in the labyrinthine cellars of the opera house. Soon thereafter, his intense, unrequited love for a beautiful chorus girl set in motion a tragic string of events, forcing him to flee Paris forever. Now, as she lies dying in a convent, Madam Giry tells the untold story of the Phantom and his clandestine journey to New York City to start anew, where he would become a wealthy entrepreneur and build the glorious Manhattan Opera House…all so he could see his beloved, now a famous diva, once again. But the outcome of her visit would prove even more devastating than before– and yet, would allow the Phantom to know, for the first time in his brutal life, the true meaning of love…


The Phantom of Manhattan
by Frederick Forsyth

It is 1906, and few in the teeming metropolis of New York City have heard of, let alone seen, the hugely wealthy man who controls so many of their lives. Few, too, would have heard of the extraordinary events that took place at the Paris Opera House more than twenty years before — a story as dramatic as any of the operas themselves: a tale of love and murder and passion, the heartbreaking legend of the Phantom of the Opera…

It all began in 1882, when Antoinette Giry, Maitresse du Corps de Ballet at the Opera, took her small child, Meg, to a carnival. And there, to her horror, she saw a caged, filthy, manacled creature whose tormented eyes shone from a grotesquely deformed face. Overcome by pity, Madame Giry freed him, cured his wounds and finally let him find a dwelling place in the seven below ground levels of the labyrinthine Opera. The creature — Erik — was to become the Phantom of the Opera, his hideous visage masking a brilliant mind. He is a magician, an artist, a musician, and lover. But when he tries to lure the object of his adoration to his underground domain — it must end in tragedy.


Phantom
by Susan Kay

An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.

The Outsider
by Frederick Forsyth

From the grand master of international suspense comes his most intriguing story ever–his own.

For more than forty years, Frederick Forsyth has been writing extraordinary real-world novels of intrigue, from The Day of the Jackal on. Whether writing about the murky world of arms dealers or the intricacies of worldwide drug cartels, every plot has been chillingly plausible because every detail has been minutely researched. But what most people don’t know is that some of his greatest stories of intrigue have been in his own life.
He was the RAF’s youngest pilot at the age of nineteen, barely escaped the wrath of an arms dealer in Hamburg, got strafed by a MiG during the Nigerian Civil War, landed during a bloody coup in Guinea-Bissau (and has himself been accused of helping fund a 1973 coup in Equatorial Guinea). The Stasi arrested him, the Israelis feted him, the IRA threatened him, and a certain attractive Czech secret police agent, well, her actions were a bit more . . . intimate. And that’s just for starters.

Nominated for the Edgar Award for best critical/biographical work of 2015.


The Phantom of the Opera (歌劇魅影)
by Gaston Leroux

 ※ Google Play 圖書不支援多媒體播放 ※


Phantom Risk
by Kenneth R. Foster, David E. Bernstein, Peter W. Huber, Peter William Huber

Phantom risks are risks whose very existence is unproven and perhaps unprovable, yet they raise real problems at the interface of science and the law. Phantom Risk surveys a dozen scientific issues that have led to public controversy and litigation – among them, miscarriage from the use of video display terminals, birth defects in children whose mothers used the drug Bendectin, and cancer from low-intensity magnetic fields, and from airborne asbestos. It presents the scientific evidence behind these and other issues and summarizes the resulting litigation.Focusing on the great disparity between the scientific evidence that is sufficient to arouse public fears and that needed to establish a hazard or its absence, these original contributions probe the problem of scientific ambiguity in risk assessment, and the mayhem this creates in the courtroom.Although the authors are clearly optimistic about the use of science to detect and evaluate risks, they recognize the difficulty of inferring cause-and-effect relationships from epidemiological (observational) evidence and of inferring risks to humans from high-dose animal experiments, the two major sources of evidence. The final chapter reviews the exceptionally difficult problem of how the legal impact of disputes about phantom risks can be reduced.Kenneth R. Foster is Associate Professor in the Department of Bioengineering at the University of Pennsylvania. David E. Bernstein is an attorney at the law firm of Crowell & Moring. Peter W. Huber is a Senior Fellow of the Manhattan Institute for Policy Research and serves as Counsel to the law firm of Mayer, Brown & Platt.


The Phantom of the Opera
by Source Wikipedia

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 54. Chapters: Love Never Dies, Phantom, Phantom of the Opera, The Phantom of Manhattan, Phantom of the Paradise, The Canary Trainer, The Phantom Lover, Phantom of the Megaplex, Punjab lasso, Don Juan Triumphant, Maskerade, Return of the Phantom, Batman: Masque, Il Muto, The Phantom of 42nd Street, Angel of Music, or The Private Life of Giselle, The Phantom of Hollywood, Phantasia. Excerpt: Love Never Dies is a musical with music by Andrew Lloyd Webber, lyrics by Glenn Slater and later Charles Hart, and book by Lloyd Webber, Slater and Ben Elton. It is a sequel to the Lloyd Webber musical The Phantom of the Opera. The plot is not based on the story-line in the original book by Gaston Leroux, and Lloyd Webber has stated “I don’t regard this as a sequel – it’s a stand-alone piece.” The musical is set in 1907, which Lloyd Webber states is “ten years roughly after the end of the original Phantom,” although the events of the original actually took place in 1881. Christine Daae is invited to perform at Phantasma, a new attraction in Coney Island, by an anonymous impresario and, with her husband Raoul and son Gustave in tow, journeys to Brooklyn, unaware that it is the Phantom who has arranged her appearance in the popular beach resort. Although Lloyd Webber began working on Love Never Dies in 1990, it was not until 2007 that he began writing the music. The musical opened at the Adelphi Theatre in the West End on 9 March 2010 with previews from 22 February 2010. It was originally directed by Jack O’Brien and choreographed by Jerry Mitchell, however the show closed for four days in November 2010 for substantial re-writes, which were overseen by Lloyd Webber, and opened with new direction from Bill Kenwright. Set and costume designs were by Bob Crowley. The production is the first time a musical sequel has been staged in the West End….

The Phantom of Fifth Avenue
by Meryl Gordon

Born in 1906, Huguette Clark grew up in her family’s 121-room Beaux Arts mansion in New York and was one of the leading celebrities of her day. Her father William Andrews Clark, was a copper magnate, the second richest man in America, and not above bribing his way into the Senate.
Huguette attended the coronation of King George V. And at twenty-two with a personal fortune of $50 million to her name, she married a Princeton man and childhood friend William MacDonald Gower. Two-years later the couple divorced. After a series of failed romances, Huguette began to withdraw from society–first living with her mother in a kind of Grey Gardens isolation then as a modern-day Miss Havisham, spending her days in a vast apartment overlooking Central Park, eating crackers and watching The Flintstones with only servants for company.
All her money and all her real estate could not protect her in her later life from being manipulated by shady hangers-on and hospitals that were only too happy to admit (and bill) a healthy woman. But what happened to Huguette that turned a vivacious, young socialite into a recluse? And what was her life like inside that gilded, copper cage?

The Phantom of the Opera
by Gaston Leroux

Strange things are going on at the Paris Opera House: a mysterious phantom-a skeleton in dinner dress-is wreaking havoc amongst the singers and the backstage staff. When new managers take over, and dismiss the rumors of the Opera Ghost, the terror really begins. Who is the mysterious figure stalking the stage at night? How can he be everywhere at once, and enter and leave locked rooms at will? And what is his connection to the beautiful and talented young soloist, Christine? Gaston Leroux’s brilliant and disturbing book is best known, perhaps, through its many stage and screen adaptations, but the original text outdoes them all in its gothic tension and its haunting horror.


About apujb86